島嶼拾光 文物藏影 : 臺灣文學的轉譯故事
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精選35件國立臺灣文學館館藏文物，以33篇文學轉譯故事搭配百張圖片，分別從「手稿篇」、「書籍篇」、「報刊篇」、「寫真篇」與「器物篇」切入，將透過生動的敘事，娓娓道出每件藏品背後不為人知的精彩故事。
掌心的溫度──手稿篇
01在成為「抗日詩人」以前──王品涵
洪棄生《寄鶴齋詩草乙未以前謔蹻集》
02臺灣文青的歧路──陳允元
劉吶鷗《新文藝日記》
03田地就這樣一畝一畝地耕下去──陳冠宏
楊逵〈模範村〉
04跨越語言前的嘆息──傅芃瑞
龍瑛宗〈故園秋色〉
05過時的新意──蕭詒徽
吳漫沙《落花恨》
06一張張變化的白紙──馬翊航
陸森寶《陸森寶自傳》
07崁頂村與洪醒夫剪影──廖崇倫
洪醒夫〈崁頂村的無賴漢〉寫作大綱
紙張的方寸──書籍篇
08一九一七桌來賓點唱──林廷璋
平澤平七《臺灣歌謠與名著物語》
09櫟社與它並不廢材的文青夥伴──徐淑賢
林幼春主編《櫟社第一集》
10我媽問我為什麼跪著讀──黃震南
蔡培火《十項管見》
11覺青王白淵的第一哨──劉怡臻
王白淵《荊棘之道》
12時代的夾層，一粒現代詩的煉金石──呂珮綾
林亨泰《靈魂的產聲》
13臺灣第一批文學女團與她們的產地──李筱涵
張漱菡主編《海燕集》
14跨越語言的一代，沒有跨過的那些──熊一蘋
陳秀喜《陳秀喜詩集》
15「一點都不能少」的幻覺與真實──許宸碩
張系國《昨日之怒》
鉛字的重量──報刊篇
16詩的燃點──盛浩偉
《南溟樂園》第4號
17《臺灣新民報》的日常戰鬥──徐淑賢
《臺灣新民報》第788至999號
18時間的倖存者──陳允元
《風車》第3號
19勇闖臺北帝大的臺灣人女學生──謝宜安
《民俗臺灣》第2卷第12號
20他從沒被當成作家，卻充滿文學感──朱宥勳
《劇場》第5、6、7/8期
時間的定格──寫真篇
21日治時代的Jolin在臺灣開演唱會？──林巧棠
崔承喜來南歡迎座談會合照
22全糖王國裡，特別鹹的青年集結地──邱映寰
臺灣文藝聯盟佳里支部發會式合照
23天猶未光，咱用臺語搬最後一齣戲──吳映彤
省立師範學院臺語戲劇社合照
24詩人的手只能謄稿紙嗎？──蔡易澄
葉笛在家中彈吉他獨照
25夢醒日月潭──瀟湘神
黃得時、張文環與川端康成等人合照
26您點播的〈阮若打開心內的門窗〉來了──林鈺凱
王昶雄與呂泉生合照
物件的記憶──器物篇
27〈那一年，他們用文學環島〉──鄭清鴻
張深切的徒步旅行之名人題字錄、臺灣文藝聯盟本部木匾
28〈生活中創作，限制中堅持〉──劉承欣
艾雯的旗袍
29〈遠行的徵兆〉──楚然
三毛的學生證
30〈一直都在，只是沒有存在感〉──陳令洋
葉石濤的籐椅
31〈一把剪刀的誕生〉──許雅婷
李魁賢的採收洋菇剪刀
32〈爸爸的相反〉──陳令洋
洪炎秋的西裝背心
33〈他也是第一次登上玉山〉──馬翊航
霍斯陸曼．伐伐的玉山登頂證明書與筆記本
【後 記】
文學IN文物，召喚臺文「超靈體」──一段與文學藏品對話／通靈的奇妙旅程
──鄭清鴻／臺文館「藏品故事轉化行銷計畫」前主持人
Mapping Taiwanese Cinema, 2008-20
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What is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history
Oceans Rise Empires Fall
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A powerful explanation of why geopolitical competition drives climate breakdown and inhibits action to prevent it. It is the decisive decade for climate change action, yet great power competition is surging. Geo-economic rivalries and territorial conflicts over Ukraine and Taiwan appear more important than collective action against catastrophic climate change. Why do great powers favor competition and rivalry over transnational policies to address the greatest threat humanity has ever faced? In Oceans Rise Empires Fall, Gerard Toal identifies geopolitics as the culprit. Examining its meaning, history, and leading thinkers, he exposes the geo-ecological foundations of geopolitics and the struggles for living space that it expresses. The book isolates three Earth-controlling practices that characterize geopolitics. The territorial control imperatives of great powers preclude collaborative behavior to address common challenges. Competing world historical missions drive rivalries and wars, like Russia's fossil-fuel-funded aggression against Ukraine. Military-industrial competition over leading edge technologies and critical minerals takes priority over collaborative decarbonization policies. In the contest between geopolitics and sustainable climate policies, the former takes precedence--especially when competition shifts to outright conflict. In this book, Toal interrogates that relationship and its stakes for the ongoing acceleration of climate change."
One and All: The Logic of Chinese Sovereignty
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The concept of sovereignty is a crucial foundation of the current world order. Regardless of their political ideologies no states can operate without claiming and justifying their sovereign power. The People's Republic of China (PRC)--one of the most powerful states in contemporary global politics--has been resorting to the logic of sovereignty to respond to many external and internal challenges, from territorial rights disputes to the Covid-19 pandemic. In this book, Pang Laikwan analyzes the historical roots of Chinese sovereignty. Surveying the four different political structures of modern China--imperial, republican, socialist, and post-socialist--and the dramatic ruptures between them, Pang argues that the ruling regime's sovereign anxiety cuts across the long twentieth century in China, providing a strong throughline for the state-society relations during moments of intense political instability. Focusing on political theory and cultural history, the book demonstrates how concepts such as popular sovereignty, territorial sovereignty, and economic sovereignty were constructed, and how sovereign power in China was both legitimized and subverted at various times by intellectuals and the ordinary people through a variety of media from painting and literature to internet-based memes. With the possibility of a new Cold War looming large, globalization disintegrating, and populism on the rise, Pang provides a timely reevaluation of the logic of sovereignty in China as power, discourse, and a basis for governance.
台湾世界を行く : 鳥居龍蔵の見た海・山・ひと・ムラ /
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2023年度企画展の展示図録です。国内数か所に分散している鳥居龍蔵による台湾調査に関する資料や関連資料を紹介するとともに、鳥居の台湾での足跡を復元しています。
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