Ageing, Dementia and Time in Film by
Ageing, Dementia and Time in Film: Temporal Performances offers the first sustained analysis of films about ageing and dementia through a temporal framework. Analysing the aesthetics of films like A Moment to Remember (2004), Memories of Tomorrow (2006) and Happy End (2017), Deng provides new insights into our understanding of how ageing is temporally produced, presented, received and interrogated in and through cinema. Bringing together Gilles Deleuze's philosophy of difference and ideas on time, and building on scholars like Alia Al-Saji, Henri Bergson, Bliss Cua Lim, and David Martin-Jones, the book develops a conceptual framework of relational change - of temporal performances - and suggests that everyone and everything experiences time differently.
Biopolitical Ethics in Global Cinema by
Biopolitical Ethics in Global Cinema takes a new approach to world cinema through critical theory. Whereas world cinema often refers to non-American films deemed artistic or peripheral, Seung-hoon Jong examines its mapping frames: the territorial 'national frame,' the deterritorializing 'transnational frame,' and the 'global frame.' If world cinema studies have mostly displayed national cinemas and their transnational mutations, his global frame highlights two conflicting ethical facets of globalization: the 'soft-ethical' inclusion of differences in multicultural, neoliberal systems and their 'hard-ethical' symptoms of fundamentalist exclusion and terror. Reflecting both and suggesting their alternatives, global cinema draws attention to new changes in subjectivity and community that Jeong investigates in terms of biopolitical 'abjection' and ethical 'agency.' In this frame, the book explores a vast net of post-1990 films circulating in both the mainstream market and the festival circuit. Jeong comparatively navigates these films, highlighting less essentialist particularities than compatible localities that perform universal aspects of biopolitical ethics and its alternatives by centering the narrative of 'double death': the abject as symbolically dead struggle for lost subjectivity or new agency until physically dying. This narrative pervades global cinema from Hollywood blockbusters and European art films to Middle Eastern dramas and Asian genre films. Ultimately, the book renews critical discourses on global issues--including multiculturalism, catastrophe, sovereignty, abjection, violence, network, nihilism, and atopia--through a core cluster of political, ethical, and psychoanalytic philosophies.
Taiwan New Cinema at Film Festivals by
Taiwan New Cinema (first wave, 1982-1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China's image.Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the 'nation', brought forth by Taiwan's multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization.
Hong Kong Media and Asia's Cold War by
Hong Kong was a key battlefield in Asia's cultural cold war. After 1948-1949, an influx of filmmakers, writers, and intellectuals from mainland China transformed British Hong Kong into a hub for mass entertainment and popular publications. While there was no organized movement for independence, largely because of its location directly next to Mao's China, Hong Kong was central in the cultural contest between Communist China, Nationalist Taiwan, and the United States. Hong Kong Media and Asia's Cold War discusses how China, Taiwan, and the U.S. fought to mobilize Hong Kong cinema and print media to sway ethnic Chinese in Southeast Asia and across the world. Central to this propaganda and psychological warfare was the emigre media industry. This period was the "golden age" of Mandarin cinema and popular culture. Throughout the 1967 Riots and the 1970s, the emergence of a new, local-born generation challenged and reshaped the Cold War networks of émigré cultural production, contributing to the gradual decline of Hong Kong's cultural Cold War. Through untapped archival materials, contemporary sources, and numerous interviews with filmmakers, magazine editors, and student activists, Po-Shek Fu explores how global conflicts were localized and intertwined with myriad local historical experiences and cultural formation.
Japanese High School Films by
Japanese High School Films: Iconography, Nostalgia and Discipline explores how these contemporary films capture a distinct view of Japanese adolescent life, uncovering significant links with the themes of discipline and institutionalisation that underpin Japanese society. It illustrates how Japanese high school films link directly to manga, anime, TV dramas and pop music, triggering audience recognition and nostalgia through on-screen use of iconographic images, from school uniforms to rooftop recreational spaces. This book also identifies universal themes of adolescent romance, friendship, and bullying, and the spatial and temporal changes that affect every student's journey. The casting of already-famous music and fashion celebrities as students or as teachers allows the films to capitalise on cross-generational fandom across Japan's prolific entertainment industries. For anyone who wants to understand contemporary Japanese culture, Japanese High School Films is essential reading.
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本學科指引提供您台灣文學與跨國文化研究的資源，透過圖書館的蒐集與整理，整合館藏紙本、電子以及校外的網路資源，按學科分類的方式排列彙編，主題式的引介各種資源使用，以期能增進學生對於資料的掌握廣度與深度。若您需要更進一步的協助，請與館員聯絡。
This guide directs you to resources that will best enable you to conduct Taiwan and Transculture research. If you need more assistance, please Ask a Librarian!
本館館藏資源以配合校內師生教學研究之需要為主，舉凡相關之圖書、期刊、多媒體資料、電子資源等均予蒐藏。
圖書/期刊 Books & Journals
電子資源 Electronic Resources
http://guides.lib.nchu.edu.tw/mobile/51
